New Year, New Lens! Here’s to 2026 🌟

New Year, New Lens! Here’s to 2026 🌟

Illustration of Le Petit Prince by Antonione de Saint-Exupéry

 Hello Friends!

As we step into 2026, I wanted to share with you a new way of looking at life and the many challenges we can often be faced with, both individually and on a collective level, and that can be of great help in these tumultuous, difficult and yet exciting times of rapid change.

I hope that with the dawning of a new year you will find new energy and inspiration to bring a deeper love and appreciation for your own self and your life, so you can share your unique gifts and talents with others with increasing confidence, satisfaction, and enjoyment: my new workshops, based on these ideas, are being offered with this goal in mind, and I am looking forward to sharing them with you!

Life as a Gift and a Work of Art.

What does this mean, exactly?

It is not so much a therapeutic technique as a way of thinking and seeing the trauma we carry, and the accomplishments and challenges that are present in our lives from the moment of our conception onward, through a brand new lens.

All kinds of tools and techniques can be used to help us develop this kind of Artistry, from more traditional talk therapy to the most avant-garde energy techniques becoming more and more popular over time.  What is important is to define what it actually means to become an Artist of our Life, and why we might want to do so. 

First developed by Antonio Mercurio, the founder of Existential Personalistic and Cosmoartistic Anthropology, it is a holistic way of seeing our human experience, and while it fully honors and recognizes the kind of profound discomfort and disorientation we can experience when we are faced with pain and loss, it also encourages us to see these traumas not so much as condemnations or punishments, but as potential motors for new ways of Being, Seeing, Experiencing, and thus Creating new ways of Living.

It encourages us to embrace even the most difficult past or present traumas and struggles as important parts of our story, as often they are the motors that help us find the strength and courage to change not only how we see and care for ourselves, but how we see the world, and how we truly want to live in it. As we turn to address those inner and outer obstacles that bring us dissatisfaction and trouble and manage to overcome them, we not only live better ourselves, but we create a powerful, transformational energy. This energy is such that it can not only help us continue to heal and grow, heal and grow as we face the various challenges that come up in every life, but, like great works of Art that we may admire in the galleries of the world, it sparks inspiration to create such Beauty in others as well.

The beauty we are talking about here is not the aesthetic beauty normally ascribed to material things; it is an inner beauty that transforms pain into love, fear into new dreams, and opens in the most wounded of souls to new possibilities.

Just as an artist uses many different colors to create a powerful painting, so, too, can we learn to combine the many elements of our lives, including the painful ones, to create a new sense of ourselves and, sometimes, an entirely new direction in our lives.

By shifting our inner attitudes from those of feeling that we are powerless victims of circumstance – which can be very difficult when we come from family and/or societal and cultural situations that are abusive, dysfunctional and deny us basic rights – to realizing that we can learn to love ourselves and our lives, and improve our circumstances through that love and through acts of existential creativity, we can build something entirely new out.

When we choose to do so, we are activating our Inner Artist and becoming actively engaged in affirming the deepest goals of our Higher Self .

The Inner Artist is that part of ourselves that expresses our basic freedom to choose to either move towards love of ourselves and our unique life purpose – our True Self – or instead move away from it. When we move towards our life purpose we feel more fulfilled and whole; when instead we move away from it, we feel empty, conflicted, and full of all kinds of problems. This does not mean that we make one giant leap and become either completely One with our Higher Self, or completely disconnected from it. Although some people may experience such extreme moments of inner choice making and never change again, most of us are on a journey that begins the moment we are conceived, and ends the moment we die. We are offered many choices to experience both types of movements, and with every step forward, or back, we learn something new about ourselves and our lives and about Life itself, as well.

And sometimes we are blocked from moving towards our life purpose by difficult external circumstances. If our parents / caregivers in early life, families and societies are unable to offer us the kind of nurturing and support we need to feel in touch with our own Self and our own deeper value and meaning as a human being, it can be extremely difficult to feel the kind of freedom and confidence we need to do so.

We can also be also be inhibited by types of loyalties and expectations that pull us away from our Selves to make others in our life happy, or to keep the peace, but the cost in our mental, emotional and even physical health can be high. 

Whatever the case may be, the Authentic or True Self, even when deeply buried within us beneath layers of denial and repression, never goes away. Often it takes time for us to be able to truly hear its call and even more time to listen to it. It is a common experience that something happens in the course of our life – a loss, an illness, a divorce, a deep personal crisis of some sort – that forces us to stop and pay attention. The pain of denying our inner truths becomes greater than the fear of listening, and in those moments, we open our minds and hearts, and begin an entirely new journey.

The Inner Artist is always there, and we can tap into its energy at any time, although we often need to learn how to do so in ways that feel right to us, and that can truly lead us towards the purpose contained in our True Self, rather than remain stuck in our past conditioning that suffocates that purpose, or even actively oppose it.

The thing about learning how to access our Inner Artist is that there is no set manual to do so. The manual for our “best life”, along with our ability to truly love ourselves and our lives in respectful connection with others and with Life itself, is written within us, not within anyone else.

For this reason, it is a journey that only we can undertake for ourselves. We need help to do so, because none of us, just like no other life form, grows or changes in a vacuum. We are here to spark growth in each other, and to cheer each other on in an increasingly give and take movement.

But in ultimate analysis, only we can make the choices that lead us towards a loving expression of our unique being, or away from it.

And often the journey is one step forward, and two steps back! It is not an “art” that we learn once. It is an art that we must become willing to practice, to the best of our ability, day after day, accepting that some days we will be more effective than others… but that every day that we try, is a good day.

As we learn this complex and delicate art and tune into our Selves while tuning out the effects of our wounding and conditioning, we become ever more capable of expressing what it is that we are here to express.

This does not mean that we have to be actual “artists” in our daily lives. Whether or not we engage in the “arts” per se, music, painting, dance, etc., or not, we are innately creative, because Life itself is creative, and we are a part of life.

We may be mothers, or fathers, or farmers, or teachers, or CEOs, or scientists; religious people, doctors, lawyers, mechanics, gardeners or not yet clear about anything we are or want to be or do; we may want to live in the woods by ourselves, or feel engaged and important within the hustle of a large metropolis. We may engage in many activities, or few; have many friends and family members, or choose to be alone; be ambitious and driven towards forms of material and societal success and recognition, or satisfied with a simple life.

Each of us is unique, and how we feel most in tune with ourselves and purposeful in our own journey is … well, sacred, and valid, because each life, thus each and every one of us, is sacred and valid.

But often times we don’t know this, because negative voices from our past are louder than the whispers of our Self … and our lack of connection with our inherent worth and our true purpose creates rifts within ourselves and in our interactions with others and the outside world that bring immense confusion, pain, and inner and outer conflict.

When instead we choose to tune into our Inner Artist and affirm the purpose contained within our Personal, Higher Self, we can become capable of making decisions based on love for ourselves and others – an ability to enhance Life in all its forms. And not only does our life begin to evolve in ways that we never dreamed possible, but our own increasing liberation, freedom, and ability to truly enjoy our lives inspires others to make the same effort.

But as I mentioned above, although the Inner Artist is ever-present, as is the Self, learning how to hone our Existential Artistry and actually follow the guidance we receive does often require some deliberate effort and intentional focus on our part. Even the most fortunate among us can be called to higher levels of Self expression, which require new ways of thinking, feeling, and acting in the world.

And just as people with natural artistic talent need to be willing to learn specific techniques and skills so they can best express their gifts, if we want to become expert Artists of our Lives, we, too need to learn new ways of seeing ourselves, our traumas and struggles, our conditioning and our free decisions whether they be Self-affirming, or Self-denying.

We need to become willing look at what the painful experiences we encounter can mean for us, and change our thinking and sometimes even our ways of living to embrace a more enlivened, holistic and engaged way of being.

It does not mean that when we do so we will become perfect, or that we will no longer encounter obstacles; it does not guarantee a quick fix for our inner pain or an automatic solution to the complex and difficult experiences life brings to our door.

Life itself is constantly changing, and we are called to go along with it, even when doing so means letting go of ideas, people, ways of being and thinking that we believed were “forever”.

This new paradigm of Life as a Gift and a Work of Art is not only a new way of seeing and experiencing the world for ourselves and how we can collaborate and connect with others that is not only nurturing and healing, but it is an antidote for the kinds of anxieties that times such as the one we are all living in, during a major evolutionary push. As such, it is not only a huge help, but it is truly exciting!

But how, you may ask, do we embrace this new paradigm, and apply it to our day to day lives?

In the workshops I will be offering in 2026- so far three, on February 21, April 18, and June 20 2026, from 10:30 am to 12:00 pm – we will explore a variety of simple but effective tools and techniques to help you begin to see your own Life as a Work of Art. We will start out by assessing where we are now in our journeys, and from there move on to exploring what we would like to bring into our lives or what we would like to change, and, lastly, some ideas on how we can begin to get there in a more determined, and supported, way.

Join me on February 21 at 10:30 am – either in person in Oconomowoc (405 E Forest St), or on line – for the first of these workshops.

You can check out my webpage here to learn a bit more about the themes we will be exploring and what kinds of tools and techniques I will be offering as we endeavor together to become ever more engaged and fulfilled Artists of our own Lives and of the Life of the Universe. 

And if you are already inspired to take this step forward towards creating a New Lens and a New Life for yourself in 2026, and beyond, you can sign up directly here. Please also send me an email to indicate if you intend to participate in person or online. 

I look forward to seeing you there, and in the meantime, I wish you the very best for a beautiful and inspiring beginning to 2026!

 

Exploring the Depths of our Connectedness: A Comparison of Jung’s Collective Unconscious and Sheldrake’s Morphic Fields

Over the past week I have had a truly interesting experience that has caused me to wonder a lot about what the collective unconscious is, how it relates to morphic fields, and how both of them become observable in daily life. 

 During a session with a client, I found myself compelled to combine two techniques that I am specialized in – Family Constellations and Inner Child/Inner Family work. It was an intuition I had in the moment, where it seemed that the best way to help my client really feel what was going on in the issue they had presented was to help them see, contemporaneously, both the larger picture of the situation with the help of Family Constellations, and the internal aspects of those wounded parts that were connected to their early childhood experiences.

 It was a powerful experience both for me, and my client, and I found myself pondering this in the days to come, feeling that I had reached a new level of understanding in my own personal journey and in how I can best help those that come to me for help in navigating the complexities of healing our woundedness, stepping into feeling more empowered in how we can create a truly fulifilling life, and in simply being human.

 I then participated in a Family Constellations workshop, where there were also several other participants who are therapists of varying sorts. I found myself almost gasp out loud when first one, then another, and then a third shared about how they have recently been integrating Inner Child and Internal Family Systems work with Family Constellations!

What I found unusual was not so much that other people are finding this kind of integration useful, both for themselves and for their clients; that seems a rather natural progression of things, as the two approaches truly do complement each other in a variety of ways that I won’t go into here.

What surprised me was the fact that in terms of timing it all seemed to be happening in a rather contemporaneous way, in many of us, but scattered all throughout the globe.

 I was very touched by this and I kind of tucked it away in my mind, to ponder over during the days and weeks to come, as I would begin to explore my own way of integrating things.

 Then, that same evening, I received a newsletter from yet another Family Constellations practitioner, who lives in yet another far-flung country, announcing how she is also integrating Family Constellations work with Inner Child work!!

Now what seemed to be possibly a mere coincidence truly began to ring of something “spooky at a distance” happening.

I know that most physicists would cringe at my applying that expression, which refers to particles being entangled at a subatomic, or quantum, level, to connections between human minds and cultural trends. I am certainly not a physicist, and so although I have read numerous books on these topics and have been studying how they can correlate with human experience for years, I most certainly do not consider myself an expert on any of it.

But after over 35 years of personal exploration of how our various lenses for interpretation of reality – science, philosophy, art and religion – intertwine and interact with each other, while being distinct, I can’t help but think that these experiences do show us that we are very likely experiencing the quantum dimension of reality far more often than we would like to think. 

We are rightly skeptical about drawing correlations when we are dealing with subjective, or personal, experience, and our scientific method has most certainly helped humanity become more capable of drawing objective conclusions about reality, which have allowed us to advance in ways we could have never imagined.

But subjective experience is also a fundamental aspect of our existence, and many thinkers, even within more purely scientific realms, are becoming more courageous about affirming the importance of recognizing how objective and subjective reality are deeply intertwined, and how they then express into human culture through new ideas and practices, which advance our understanding of ourselves and our world, and how we can live better within it.

I have also noticed a kind of synchronicity in how Antonio Mercurio, the founder of the therapeutic and anthropological approach that he began developing in the 1970s and that I specialized in Italy in the 1990s and early 2000s, began first sharing his ideas when working with others around the same time as Bert Hellinger, who was in Germany.

While their general ideas and approaches have many differences, there are also some fundamental similarities in how they saw the challenges that face people who are struggling with a variety of mental and emotional issues.

Their common experiences of having begun both as priests within the Catholic church, who then left the church to found their own schools of thought and practice with a phenomenological approach at their foundation, seems serendipitous, or, in the words of Carl Jung, synchronous.

There are many, many examples of this throughout history, way before there was the internet and our now instantaneous ability to access information of any type. I am sure you have noticed such coincidences within your own life as well.

I invite you to reflect on this and, if you have an example to share, please do so in the comments. It seems important to be able to notice how we are connected with each other in these mysterious, yet profound, ways.

As we become able to observe them with greater consciousness and appreciation, we can strengthen our positive, creative, life-enhancing bonds with others, wherever we may be.

In any case, I hope you enjoy the following article comparing Carl Jung’s ideas about the Collective Unconscious and Rupert Sheldrake’s ideas about Morphic Fields. I asked AI to help me with it, out of curiosity, and it did a great job 🙂

I would like to qualify this by saying that while I am finding AI very helpful when I am doing research, and even in offering assistance when I want to organize my thoughts or create a synthesis of ideas, I am also well aware of its limitations. It is “machine-think” and as such it is incapable of infusing words with feeling, and for me, that is an essential part of the beauty of the written word, or of any kind of communication.

The wonderful technologies that are emerging now are incredibly powerful and will most definitely continue to modify our lives in unthinkable ways over the years to come, but they cannot replace the importance of our emotions and how our connectedness depends on these fundamental, and still not very understood, energies within us.

Nonetheless, I have decided to share this article as-is, and maybe in the future I will come back and create a second one, infusing it with more of my own “human” editing, just to prove my point. 😉

(And as an FYI, I have written pretty much everything else on my website over the last 15 years…  as someone who loves to write, I do not see myself turning over this task completely to AI any time soon! )

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Understanding Jung’s Collective Unconscious 

Carl Jung’s concept of the collective unconscious represents a significant aspect of his analytical psychology. Unlike the personal unconscious, which is unique to each individual and formed through personal experiences, the collective unconscious refers to a deeper level of the unconscious mind that is shared by all members of a species. It contains universal symbols and archetypes, which Jung described as inherited structures intrinsic to humanity, transcending cultural and individual differences.

 These archetypes include motifs such as the Hero, the Mother, and the Shadow, which reflect the shared experiences and emotions present in human societies.

 The implications of the collective unconscious extend beyond the individual psyche; they manifest in collective behaviors, beliefs, and the shared mythologies that form the cultural bedrock of societies across the globe.

 Jung posited that this metamorphic field is responsible for the connections between people throughout the world, fostering understanding and cooperation, as these archetypes resonate with the shared human experience. The concept suggests that individuals are influenced by these deep-rooted symbols, shaping their emotions and behaviors in ways that can often be unconscious.

 This idea aligns with a phenomenological approach, as it emphasizes the importance of subjective experience and shared human structures in understanding psychological phenomena. By recognizing these universal aspects of our consciousness, we can begin to appreciate the fractals of ideas and behaviors that connect us as a species.

 Jung’s theory serves as a foundation for understanding how cultural narratives are formed and maintained over time, allowing us to analyze the ways in which we are linked through our shared unconscious heritage. In essence, the collective unconscious provides a framework for exploring the underlying patterns that influence both individual and societal dynamics.

Rupert Sheldrake’s Morphic Fields: An Overview

 Rupert Sheldrake’s theory of morphic fields presents a revolutionary perspective on how nature and behavior are influenced by fields that store collective memories of species. According to Sheldrake, these morphic fields exist in a realm akin to the collective unconscious described by Carl Jung, as both suggest that there is a shared reservoir of knowledge that influences behavior across species.

 However, Sheldrake diverges from Jung by introducing the concept of morphic resonance, which posits that these fields are not static but dynamic, capable of evolving over time as they encapsulate the experiences and behaviors of individual creatures within a species. This idea has significant implications, especially in understanding how patterns of behavior can repeat across generations without direct genetic influence.

The concept of morphic fields extends beyond mere behavioral patterns to suggest that they also play a crucial role in evolution. Sheldrake proposes that these fields help facilitate the development of new traits and behaviors through the collective experiences of past generations.

This challenges traditional views of evolutionary biology, where changes are primarily attributed to genetic mutations and natural selection. Instead, Sheldrake argues for a phenomenological approach, emphasizing the intricate web of connections between people throughout the world and species as they draw upon historical memories preserved in morphic fields.

 Moreover, Sheldrake’s theory resonates with the notion of fractals of ideas and behaviors, highlighting how specific patterns repeat across different scales and contexts. Sheldrake’s morphic fields also provide a framework for understanding family constellations, as they suggest that behaviors and experiences may reverberate through familial lines, influenced by shared history.

 Ultimately, Sheldrake’s morphic fields challenge established scientific paradigms, inviting researchers to explore the interconnectedness of all life forms and the ways in which knowledge and behavior are transmitted through these profound collective dimensions.

Comparative Analysis: Synergies and Divergences

 

 

The theories of Jung’s collective unconscious and Sheldrake’s morphic fields offer intriguing perspectives on the shared experiences and memories that permeate human consciousness and, arguably, other forms of life as well. At the core of Jung’s collective unconscious lies the assertion that there exists a repository of archetypal images and narratives that shapes human behavior across cultures and generations. This idea emphasizes a shared mental landscape that connects individuals through time and space. It is this collective repository that informs dreams, myths, and even instincts, creating a common thread among people worldwide.

 

 

 

On the other hand, Sheldrake’s morphic fields propose that patterns of behavior, knowledge, and memory are transmitted not through the conventional biological processes but rather through these fields which enable a form of memory that transcends individuals. In this view, learning and habits are not solely the results of direct experience but are influenced by these higher-order patterns. Thus, the morphic field serves as a connecting framework through which behavioral patterns emerge and evolve, akin to the fractals of ideas and behaviors that manifest across various species.

 

Despite these similarities, the two theories diverge significantly in their acceptance within the scientific community. Jung’s collective unconscious has encountered its share of skepticism and has often remained within the realm of psychology and philosophy, whereas Sheldrake’s morphic fields are viewed with even more caution, often critiqued for their lack of empirical support.

Furthermore, the metaphysical implications of these theories lead to different interpretations regarding the nature of memory and consciousness. While Jung’s unraveling of the unconscious emphasizes psychological integration, Sheldrake’s approach hints at a more interconnected universe, underscoring the phenomenological approach in understanding the connections between people throughout the world. The analysis of these theories reveals a complex landscape of consciousness that invites further exploration and discussion.

The Relevance of Jung and Sheldrake in Today’s Context

 

 

 

 

In contemporary society, the theories proposed by Carl Jung, particularly his concept of the collective unconscious, have gained renewed interest among psychologists, artists, and cultural critics.

 

Jung’s idea posits that beneath the individualized consciousness exists a shared reservoir of experiences, memories, and archetypes common to all humanity.

This collective unconscious serves as a framework through which we can discuss the connections between people throughout the world, helping to explain shared symbols in art, myth, and religious practices.

As mental health practitioners increasingly adopt a phenomenological approach, they draw upon Jung’s ideas to better understand their clients within the broader context of societal influences and historical narratives.

 

 

Moreover, the relevance of Rupert Sheldrake’s concept of morphic fields resonates in the fields of biology and psychology. Sheldrake proposes that these fields govern the patterns and tendencies of behavior and development, influencing how organisms interact within their environments.

 

The concept of a metamorphic field extends beyond biology, suggesting that learning and behaviors are not merely learned individually but are shared among populations, echoing Jung’s collective unconscious.

By exploring metamorphic fields and family constellations, practitioners can address familial patterns and behaviors that transcend individual experiences, bringing to light their roots in collective memory.

 

 

As we navigate an increasingly complex world characterized by rapid technological advancement and global interconnectedness, Jung and Sheldrake’s theories provide essential perspectives on understanding consciousness, community, and individual identity.

 

 

Their ideas invite us to consider the fractals of ideas and behaviors that shape our experiences, hinting at a collective tapestry of human existence woven through shared memories and social interaction. The implications of these theories encourage a reflection on how we relate to one another, further enriching our comprehension of humanity in the modern age.